7/27/2023 0 Comments The who concert![]() ![]() ![]() "That could've been me," Eavey said, pointing to an empty, black space between images of the victims on that photo.įor many, this dedication was part of the healing process.īob Vater was 18 when he and his best friend, Dave Heck, attended the concert. ![]() The day and a certain photo still haunt him. He said if a girl named Rose and her sister Mercedes hadn't put a shield around him, he would've been number 12. His right shoulder and hand were crushed and his back was pounded as he was pushed to the ground. He described the concert as "chaos, a mess, a nightmare, something that never should've happened."Īlong with the ticket stub from that night, Eavey still has pain from that night. "I waited 35 years from that night to see this," said David Eavey, who was 11 when he attended The Who concert in 1979. He told them the city would never forget. "I believe in progress, but we can't move forward without remembering."Ĭranley stood in front of a similar crowd of friends and family members of the victims at the same time last year and pledged to have a marker in that spot. ![]() The marker, paid for entirely by individual donations, was placed in honor of those 11 lives lost and out of respect to everyone who was affected by the tragedy. "It's a sad, historic occasion," Cincinnati Mayor John Cranley said as he dedicated a memorial marker Thursday in honor of that day. Those 11 lives will now, forever, be remembered and honored. They died just outside the southwest plaza entrance, after being trapped and trampled on in crush of people. Most of the setlist included orchestra, and other songs, such as “Who Are You,” “Baba O’Riley,” and “Join Together” benefited greatly from the additional texture and timbres.Thirty-six years ago, tragedy struck at The Who concert at the old Riverfront Coliseum in Cincinnati.Įleven ticket-holders never made it in. Setlist for The Who Hits Back 2022 tour includes orchestra numbers, sing-along favorites By contrast, a trio of strings on the opening of “ Behind Blue Eyes” was tender and exquisite (even though it was nearly drowned out by the audience singing). With them, “Eminence Front” was even more powerful than usual - heavier, almost hypnotic. The orchestral arrangements were well-written, and the instrumentalists, led by the tour’s musical director and conductor Keith Levenson, were a welcome addition to the songs. His delivery of “We’re Not Gonna Take It,” the closing track of their rock opera " Tommy," got a standing ovation from most of the audience. “I’m One” was beautifully packaged, the counterpoint of his vocals and guitar perfectly honed.ĭaltrey’s singing is eerily unchanged from decades ago, still full of subtle control and a range of inflection that other singers struggle to master. Townshend’s technique remains masterful and expressive. Two things that have barely changed, though, are Townshend’s guitar playing and Daltrey’s voice. The band has grown up over the decades, and so have the songs, and that change isn’t necessarily a bad thing. Also on stage was a full orchestra of mostly-local instrumentalists that provided depth and complexity where there used to be rowdiness and volume. Keith Urban review Keith Urban delivers 2 hours of 'utopian experience' in amped-up, high-energy showĭaltrey,78, and Townshend, 77, were joined by a hardworking touring band who both supported them and let them command the stage. This is a band who needs to prove nothing more and can simply enjoy doing what they do best: being musicians. ![]()
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